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A FEW THOUGHTS ON JAZZ & COMPETITION 

To my ears, “Jazz Competition” is an oxymoron. 

We’re going to have a contest to see who can be the most vulnerable? The most sensitive or sincere? 

To find out who among us can best lay bare our soul and play from the heart?

Every year on tour I hear dozens of excellent high school groups, all over the country, investing hours of rehearsal time, polishing the same Duke Ellington charts in preparation for the annual Jazz Hunger Games. 

While it’s gratifying to witness Duke’s music being disseminated so widely, I wonder if these young musicians might be better off exploring a larger repertoire of sounds and styles, learning to sight read, listen and improvise.

Of course, there is such a thing as “healthy competition” in the arts. Setting challenges and overcoming them is how we improve.

Competitive, however, is not the correct mindset for quality music-making. This art form is interactive. It’s about listening and openness. Conversation, not competition. ​


Personally, I don’t feel that I’m in competition with other artists. I’m competing with Netflix, spectator sports, video games, social media and all the other distractions that vie for your leisure time, attention and dollars. 

I welcome opportunities to work alongside and learn from my betters. I always try to surround myself with talents greater than my own. Art Farmer said “if you’re the smartest cat in the room, you’re in the wrong room.” 

One time Nicholas Payton dropped by my gig in San Francisco and schooled me on a ballad. It was like a ten-minute graduate seminar on understatement and grace. 

This week I had the opportunity to participate in a tribute to one of my longtime heroes, Tom Harrell, along with Joe Lovano, Kenny Werner, Sean Jones, Johnathan Blake, and several other world class musicians, including the man himself, who has never sounded better. 

Everyone involved was more capable and experienced than I. It was humbling but thrilling. I learned a lot and felt nothing but love and support in the room. There was no vibe. Everyone was there for Mr. Harrell.

Wynton Marsalis says a cutting session is like a debate. And debates have their place, especially in the classroom. But wouldn’t you really rather have a conversation? 

Personally, I think cutting sessions are a drag. Everyone posturing, posing, showing off, going for house. The atmosphere of a cutting session is like a Michael Bay movie full of explosions. I usually end up resenting the audience for enjoying such tripe. 

Here’s a challenge: let’s play lower, softer, slower -- with intensity.

Let’s play more soulfully. 

Let’s just play.

SCOUT-CAM 2/1/16 

Scout has already accumulated too many nicknames: 

Anderson Pooper 

Barkarella 

Barker Little 

Bitey

Booger 

Bossy Aussie 

Critter 

Diggy Doo 

Dirty Dawg 

Girlscout 

G'nort 

Ida Lupine-o 

Khaleesi 

Kissyface 

Luv Puppy 

Maniac (On The Floor) 

Miss Thang 

Muddypaws McGee 

The Night Fox 

Nipsey Fussle 

Noodle 

Principessa 

Pigly Waggly 

Pooless Jo 

Prancy Drew 

Rain Dancer 

Scamp 

Scooby Doo-Doo 

Skittles 

Smoochy 

Snarfle Snout 

Snickerdoodle 

Snoopy 

Snuggles 

Soft Serve Suzie 

Spaz-Lassie 

Speed Racer 

Stinker 

Stix Pooper 

Superstar 

Toto 

Waggles 

Wolf Baby 

Woof Blitzer

DRESSING FOR SUCCESS 

My new sidekick and I are training hard over here in the Flugelcave, 

preparing for our first road trip together next month. 

Now I know what you’re thinking, and I agree: 

If Scout is going to be the hero we need her to be, 

she’s definitely going to need a costume. 

Any ideas?