Practice Art Farmer improv method religiously. Finish writing Jazz Noir material for 2016 recording. Create and learn fresh DMG sets: 11 tunes, 2 original. Pay health insurance first every month, no matter what. Walk or swim daily. Lose 5 pounds monthly, 60 by year-end. Increase number of workshops nationally from 54 to 100. Increase touring income by 20% while playing 20 fewer shows. Bump per gig average by 5% and increase total net income by 27%. Eschew cynicism, laugh often and see the best in people. When the time is right, get a dog!
Dmitri Matheny's THE SNOWCAT is inspired by the ancient Asian parable of The Oxherder, in which a herdboy's quest to find his missing ox is likened to an individual's journey through life.
With origins in India, the parable became popular in medieval Japan and was depicted on 13th century handscrolls as the 'Ten Bulls' or 'Ten Oxherding Pictures.'
The scrolls traditionally divide the hero's journey into ten stages, each accompanied by a circularly framed image and a simple verse.
Rendered in the graphic style of Japanese narrative illustration, the story is as accessible and visually compelling as a modern comic book.
As in the ancient parable, the hero of THE SNOWCAT finds her companion and returns home to appreciate the beauty of nature, play music and have fun with friends.
She maintains hope, optimism and determination in the face of adversity, discovers the gentle power of sitting quietly, and embodies the spirit of sharing and gratitude that makes the holidays such a magical time.
Join us for the Arizona premiere of Dmitri Matheny's THE SNOWCAT A cool cat tale for the whole family
Holly Pyle vocals Dmitri Matheny flugelhorn/storyteller Andrew Gross saxophones Nick Manson keyboard T-Bone Sistrunk bass Dom Moio drums
“In this spellbinding performance, jazz flugelhornist and composer Dmitri Matheny and his band weave a magical, musical tale of a little girl searching for her missing white cat on a chilly afternoon. Based on a medieval Japanese parable, The SnowCat reveals the spirit of sharing and gratitude that makes the holiday season such a wonderful time of year.” —Town & Country
The good news is more young people are coming to our concerts. The bad news is most of them rarely look up from their phones and hand-held devices.
It saddens me to look out at them from the bandstand, to see them there in the audience, sitting in the darkness, looking not to the stage but downward, their expressionless faces illuminated by cold blue light.
I want so badly for them to experience—truly and without distraction—the gift of a soulfully crafted melody.
I want to share with them the thing I love most: the pure emotional power of instrumental music, without the need for lyrics, explication or visual spectacle.
Am I naive? In today's world, is it even possible?
Dmitri Matheny Group JAZZ NOIR Michigan Tour Diary — Day 1 April 10 Chandler AZ
That's what they call the feeling you get the night before a big trip, when you're so keyed up, excited and anxious that you can hardly sleep.
Even after your bags are packed and all the preparations have been made, the monkey mind just can't help itself. It frets, worries, makes lists, obsesses over minutia.
I get journey proud before every tour. This time is no different. Sassy handles most of the travel details, and quite expertly. But that just leaves me more time to fidget.
For the most part, what I feel is excitement. I love to travel, I love to perform, and it's time. Because spring has arrived in the Lonesome Desert, and that means heat. Hot heat. That 'get out of town if you know what's good for you' kind of heat.
Ever since moving to Phoenix from San Francisco a few years ago, I've arranged for my annual touring schedule to start up just as the perfect weather ends.
It goes like this:
First, the Pyhrroloxia sings. Then the pitchers arrive. Then the mercury rises. Then the boogie woogie flugelboy hits the road.
So tomorrow morning we fly to Michigan...where it's gonna be cool.